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1949Born
EDUCATION
1967-1970University of Minnesota, Minneapolis, Minnesota
PRIMARY WORK EXPERIENCE
1967-1970Faculty, University of Minnesota, Minneapolis, Minnesota
1970-1978Studio Potter, Farmington, Georgia
1978-1979Professor, School of the Art Institute of Chicago, Chicago, Illinois
1979-1980Professor, Purdue University, West Lafayette, Indiana
1980-1982Professor, Appalachian Center for Crafts, Smithville, Tennessee
1990-1994Professor, San Francisco State University, San Francisco, California
1995—Founder and Owner, TRAX Gallery, Berkeley, California
Sandy Simon’s work is characterized by minimal forms and clean simple glazing on porcelain. The addition of wire handles or other alterations, including cutting, piercing, and relief are used to enhance the minimal forms.
Simon embraced the tenets of what is now known as the Mingei-Sota school, an aesthetic and philosophy of making pottery that grew out of the Japanese Mingei tradition as practiced by Warren MacKenzie and later adapted by many of the studio potters of Minnesota. Mingei embraces simplicity, utility and timeless beauty of folk-art handcrafted pottery. Simon studied with Curtis Hoard and Warren MacKenzie at the University of Minnesota in the late 1960s.
In 1995 Simon opened TRAX Gallery in Berkeley, California to provide greater representation for potters making functional work.
PUBLIC COLLECTIONS
American Museum of Ceramic Art, Ponoma, California
Crocker Museum of Art, Sacramento, California
Fuping International Ceramic Center, American Museum, Fuping, Japan
University of Iowa Museum of Art, Iowa City, Iowa
Little Rock University Art Museum, Little Rock, Arkansas
Museum of Contemporary Craft, Portland, Oregon
Racine Art Museum, Racine, Wisconsin
Saint Louis Art Museum, Saint Louis, Missouri
Walnut Creek Art Center, Walnut Creek, California
Weissman Museum of Art, Minneapolis, Minnesota
BIBLIOGRAPHY
Axel, Jan and Karen McCready. Porcelain Traditions and Visions. New York, NY: Watson-Guptill Publications 1981.
Clowes, Jody, “Sandy Simon.” American Craft (April/May1995).
Dauer, Paul. “More Than Clay: The Toki Collection.” Ceramics Monthly (February 1999).
Lane, Peter. Contemporary Porcelain. West Chester, Pennsylvania: Chilton Book Company, 1995.
Peterson, Susan. The Craft and Art of Clay. New York, New York: Prentiss Hall, 1992.
Simon, Sandy. “Whiteware Revisited.” Studio Potter (June 1998).
“Spotlight Sandy Simon.” Ceramics Monthly (2013).
“The Mingei-Sota Potters.” Ceramic Art and Perception, no. 21 (1995).
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Source: Artist
WEBSITE(S):
Artist's Studio: Trax Gallery
Center For Craft |
AMOCA American Museum of Ceramic Art |
"XXIX Oaks" stamp shared with Michael Simon. "SS" stamp used in the 1970s. "S. Simon" inscribed signature in base since 1980.
Citation: McGee, Donna. "The Marks Project." Last modified March 26, 2023. http://www.themarksproject.org/marks/simon-0