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1960 Born Tarrytown, New York
EDUCATION
1983 BA Art and Anthropology, Honors in Art, Pitzer College, Claremont, California
1983-1984 Graduate Studies, University of Massachusetts, Amherst, Massachusetts
1986 MFA Ceramics, Rhode Island School of Design, Providence, Rhode Island
APPRENTICESHIPS AND RESIDENCIES
1986-1987 Oregon School of Arts and Crafts, Portland, Oregon
1987-1988 Sitka Center for Art & Ecology, Otis, Oregon
2012 Jorden Schnitzer Print Making Residency, Sitka Center for Art & Ecology, Otis, Oregon
PRIMARY WORK EXPERIENCE
—Studio artist
BIOGRAPHY
Adrian Arleo is a ceramic sculptor whose work focuses on human and animal forms. Her sculptures can represent a human figure, an animal form or both. Each piece begins with a sketch that is transformed into three dimensions using one inch diameter extruded coils. Arleo uses glazes to finish her surfaces, sometimes she employs the encaustic technique, and metallic leaf may also appear on her figures.
The coils are rolled to compress the clay and decrease their diameters. The looseness of the hand building process allows her to build the figural forms she employs. Often the poses she gives her human figures reference Greek and Roman sculptures. Her surfaces are typically highly textured. Inspiration comes from the natural world around her. Perhaps it’s honeycomb, the strata of a mountain side, the bark of a tree or fur or feathers.
PUBLIC COLLECTIONS
Archie Bray Foundation for the Ceramic Arts, Helena, Montana
Icheon World Ceramic Center, Gyeonggi-do, South Korea
Kings County Public Art Collection, Kings County, Washington
Museum of Arts and Sciences, Macon, Georgia
Portland Community College, Portland, Oregon
Racine Art Museum, Racine, Wisconsin
Seattle University, Seattle, Washington
Yellowstone Art Museum, Billings, Montana
BIBLIOGRAPHY
Arleo, Adrian. “An O.S.A.C. Residency”, Ceramics Monthly (November 1987).
____________. “Adrian Arleo’s Figure Teapots”, Kerameiki Techni (2003).
____________. “Building Large Figurative Sculpture”, NCECA Journal 15 (1994-95).
____________. “Emerging Talent,” NCECA Journal 11 (1990-91).
____________. “Form and Experience”, The Studio Potter (December/January 1987-88).
____________. “Working Sculptor Feature”, Ceramics Monthly (January 2010).
Lark Crafts. The Best of 500 Ceramics: Celebrating a Decade in Clay. Ashville, NC: Lark Books, 2012.
Tourtillott, Suzanne J. Figure in Clay: Contemporary Sculpting Techniques by Master Artists. New York, NY: Sterling Publishing, 2005.
CV or RESUME: Click Here to Download
Source: Elaine Levin Archive, University of Southern California
WEBSITE(S):
"Arleo" plus date written in cursive either in black marker or chalk or etched into clay. At base of the foot
Citation: "The Marks Project." Last modified February 12, 2024. http://www.themarksproject.org/marks/arleo