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1949 Born Louisville, Kentucky
EDUCATION
1969-1971 Coursework in Studio Art, Louisville School of Art, Louisville, Kentucky
1975-1977 Coursework, Berea College, Berea, Kentucky
APPRENTICESHIPS & RESIDENCES
1973-1975 Apprenticeship with Charles Counts, Rising Fawn Pottery, Rising Fawn, Georgia
PRIMARY WORK EXPERIENCE
1972-1996 Ceramic Artist
2008-2017 Professional Driver, Transit Authority of River City, Louisville, Kentucky
2017—Ceramic Artist
David Westmeier is known for functional pieces and large-scale raku tile murals. Early in his career, Westmeier created wheel thrown functional stoneware pottery with earth toned glazes fired in a gas reduction kiln. From 1985 onward, Westmeier focused on the raku firing method used in his large-scale tile murals.
Westmeier's work often feature glazes that produce a copper hue during the reduction process in the raku firing sequence. Westmeier removes pieces from the 1,800F degree kiln when red hot with tongs, and places each piece into an air-tight metal chamber filled with combustible material (typically sawdust or paper). This step reduces oxygen in the chamber's atmosphere to a minimal level; encouraging color development, especially copper hues with select glazes.
Subject matter, especially for tile murals, includes fossil formations. Further information is drawn from microscopic observations of plant and aquatic life, invertebrates, and leaf detritus.
Later in his career he returned to raku firing his vessel forms. Westmeier throws a variety of vessels which are altered in the leather hard stage and combined to form the ultimate object.
PUBLIC COLLECTIONS
Delta Airlines Crown Room, Honolulu International Airport, Honolulu, Hawaii
Hotel Nikko Beverley Hills, California
McDonnel Douglass Information Systems Building, New York City, New York
PGA Club House, Las Vegas, Nevada
Unisys Corporation, Atlanta, Georgia
BIBLIOGRAPHY
Mcgill, Lynn Burnett, “Romancing the Raku.”Southern Homes Magazine, September 1987.
Southern Highland Craft Guild |
Center For Craft |
From David Westmeier in July 2017.
CHOP MARK 1975 – 1985: Berea chop represents a sunset over quiet seas, my cerebral safe space...accompanied by a piece made in Berea, discovered on Ebay...Berea Kentucky period: 1975-1985
CHOP MARK 1985 – 1994: Atlanta chop represents myself (fingerprint), a relationship (two crossed lines, as in organic, springtime growth) and a trio of dots, the reason I moved to Atlanta after Berea, a relationship broken down by a triangle. Accompanied by two photos of same vessel, made in Atlanta. Atlanta period: 1985-1994.
CHOP MARK 2017 – CURRENT: Current mark, the last one I will use, living right now in the metro Louisville, Kentucky area, moving by October 1st. to Bakersville N.C. Accompanied by representative work from current period. Current period: 2017 forward.
Citation: "The Marks Project." Last modified March 16, 2023. http://www.themarksproject.org/marks/westmeier