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1913Born Port Washington, New York
2005Died Sandy Spring, Maryland
EDUCATION
1936BA Economics, Swarthmore College, Swarthmore, Pennsylvania
1936-1941Painting Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania
1949MFA Industrial Ceramic Design, New York State College of Ceramics, Alfred University, Alfred, New York
PRIMARY WORK EXPERIENCE
1949-1951Black Mountain College, Black Mountain, North Carolina
1958-1979Faculty, New York State College of Ceramics, Alfred University
Turner began his artistic career as a painter. In 1944, pressured by a limited income, Turner decided to pursue a career as a potter. Shortly after earning his MFA at the New York State College of Ceramics, Alfred University, Turner was invited to establish the studio pottery program at Black Mountain College, North Carolina. In 1951 Turner returned to teach at Alfred and built his own studio at Alfred Station, New York.
Robert Turner's work throughout the 1950s and 1960s consisted of functional, wheel thrown wares; casseroles, covered jars, vases, and bowls. In the 1970s Turner begin to experiment with making abstract, non-functional pottery following the approach to clay used by Peter Voulkos.
During the 1970s he travelled to Western Africa and returned to his studio to make distinctive vessel forms named after African peoples and kingdoms. By the 1980s, still working with the artistic impressions from his African trip, Turner reduced his visual vocabulary to cone and cylinder shapes colored with three basic hues; blue-black, red-brown, and whites.
The simple, functional stoneware vessel forms Turner created are now icons of mid-century American studio ceramics. Initially, influenced by classical Greek and Chinese ceramics, his mature works reflected diverse influences including Japanese folk pottery, Zen Buddhism, Bauhaus design and modern Scandinavian ceramics.
An interview with Robert Turner conducted June 11, 2001 by Dr. Margaret Carney, for the Archives of American Art’s Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America is available at http://www.aaa.si.edu/collections/interviews/oral-history-interview-robert-turner-12010.
PUBLIC COLLECTIONS
Alfred Ceramic Art Museum, Alfred University, Alfred, New York
Los Angeles County Museum of Art, Los Angeles, California
Museum of Arts and Design, New York, New York
Museum of Fine Arts, Boston, Massachusetts
Philadelphia Museum of Art, Philadelphia, Pennsylvania
BIBLIOGRAPHY
Clark, Garth. American Ceramics 1876 to the Present. New York, NY: Abbeville Press Publishers, 1987.
Dietz, Ulysses Grant. Great Pots Contemporary Ceramics from Function to Fantasy. Madison, WI: Guild Publishing with Newark Museum, 2003.
Hepburn, Marsha and Tony. Robert Turner: Shaping Silence; a Life in Clay. Kodansha International, 2003.
Levin, Elaine. The History of American Ceramics from Pipkins and Bean Pots to Contemporary Forms. New York, NY: Harry N. Abrams, Inc., Publishers. 1988.
Perry, Barbara. American Ceramics The Collection of Everson Museum. New York, NY: Rizzoli International Publications with Everson Museum, 1989.
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Source: Elaine Levin Archive, University of Southern California
WEBSITE(S):
Citation: "The Marks Project." Last modified July 14, 2023. http://www.themarksproject.org/marks/turner