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1957 Born New York, New York
EDUCATION
1982 BFA Rhode Island School of Design, Providence, Rhode Island
APPRENTICESHIPS & RESIDENCIES
Watershed Center for the Ceramic Arts, Newcastle, Maine
PRIMARY WORK EXPERIENCE
1982-present Ceramic artist
BIOGRAPHY
Susan Thayer is known for highly narrative one-of-a-kind teapots which she began to make in 1990, although she began her career as a production potter. Each piece begins with a cast body to which the cast spout, handle, and lid are added. Thayer typically develops the finial on the lid to further the narrative of the piece. Often butterflies too delicate to be fired with the main piece are added post firing. The surfaces are covered with china painted (the decoration of glazed and fired pieces using oil-based glazes) images that relate stories from the past with contemporary ideas.
The nature of the china painting process and the complexity of the imagery used by Thayer often require a single piece to be fired more than 10 times.
In 2010 Thayer began a new series of pieces including pitchers and amphoras. These pieces have intricately carved handles. Some are china painted in Thayer’s typical style others are thrown using earthenware with bodies finished with fine carving and glazing. The teapots from this time feature imagery of flora and fauna in carefully detailed environments. The curvilinear handles on these pots often extend high into the space above the body of the pot. Areas of all over design are also a part of the imagery in this series which is less obviously narrative driven. Thayer has added a base piece ranging from simple platforms to intricate plate forms to pillow forms to these pieces.
PUBLIC COLLECTIONS
De Young Museum, San Francisco, California
Los Angeles County Museum of Art, Los Angeles, California
Museum of Contemporary Craft Pacific Northwest College of Art, Portland, Oregon
Museum of Fine Art. Boston, Massachusetts
Newark Museum. Newark, New Jersey
Pacific Northwest College of Art (formerly Museum of Contemporary Craft), Portland, Oregon
Racine Art Museum, Racine, Wisconsin
Rhode Island School of Design, Museum of Art, Providence, Rhode Island
BIBLIOGRAPHY
Clark, Garth. The Artful Teapot. New York, NY: Watson - Guptill, 2001.
Dietz, Ulysses Grant. Great Pots, Contemporary Ceramics from Function to Fantasy. Madison, WI: Guild Publishing, 2003.
Hohenegger, Beatrice. Steeped in History, the Art of Tea. Los Angeles, CA: Fowler Museum at UCLA, 2009.
Ferrin, Leslie. Teapots Transformed, Exploration of an Object. Madison, WI: Guild Publishing, 2000.
Lauria, Jo. Color and Fire, Defining Moments in Studio Ceramics, 1950 - 2000. New York, NY: Rizzoli International Publications and and Los Angeles: Los Angeles County Museum of Art, 2000.
Ostermann, Matthias. The Ceramic Surface. London, England: A&C Black, 2002 and Philadelphia: University of Pennsylvania Press, 2002.
_______________________.The Ceramic Narrative. London, England: A&C Black Limited, 2006.
Sweet, Marvin. The Yixing Effect: Echoes of the Chinese Scholar. Beijing, China: Foreign Language Press, 2006.
Thayer, Susan. "Reaching to the Past." Ceramics Monthly (April 1994).
________________. "Mould-Making for the Slip Caster," CeramicsTECHNICAL 1 (1995). Reprinted in Ceramics: Art and Perception 23 (1996).
_________________."Bulb Flowers - The Process," Ceramics: Art and Perception 23 (1996).
Tourtillott, Suzanne J. E. 500 Teapots: Contemporary Exploration of a Timeless Design. New York: Lark Books, 2002.
WEBSITE(S):
Citation: clark, donald. "The Marks Project." Last modified March 12, 2025. http://www.themarksproject.org:443/marks/thayer