The Dictionary of American Studio Ceramics, 1946 Onward
The Dictionary of American Studio Ceramics, 1946 Onward
1946 Born, New Jersey
APPRENTICESHIPS AND RESIDENCIES
2003 Creative Arts Residency, Banff Centre for the Arts, Banff, Canada
2004 Creative Arts Residency, San Miguel de Allende, Guanajuanto, Mexico
2005Artist Residency, Watershed Center for Ceramic Arts, Newcastle, Maine
2006Creative Arts Residency, Schulte Ceramic Studio, Prescott, Arizona
2007Banff Centre for the Arts, Banff, Alberta, Canada
2008International Ceramics Center, Kecskemet, Hungary
2009Watershed Center for Ceramic Arts, Newcastle, Maine
2011Banff Centre for the Arts, Banff, Alberta, Canada
2012Independent Ceramic Studies, Rome Italy
2013Independent Ceramic Studies, Hong Kong, China and Osaka, Japan
2014Classical Sculpture Studies, C.R.E.T.A. Art Foundation, Rome, Italy
PRIMARY WORK EXPERIENCE
Chreyl Tall is known for narrative sculptural work made with a soft responsive clay that encourages repetitive shingle like finger marks. This unique texture and blended color palette serves to unite her body of work and gives her characters a look that can suggest armor, petals or scales.
Because of the softness of the clay, only 5" can be built in a day. She builds the clay slowly, working in a spiral coil-pinch technique until the need for a separate layer is reached. At this point, Tall creates a ‘lego-like’ connector on the inside of the piece so it becomes modular which allows ease of assembling the sections into the complete unfired work. After the assembly is completed, the sculpture is dried, coated with powdered copper and terra sigillata, and fired 14 hours in the kiln. Sometimes additional firings are needed, so the whole process can take from 6 weeks to 3 months. The resultant surfaces resemble a richly textured abstract painting. The colors are subtle, reminiscent of an ancient tapestries. The sculptures are contemporary narratives that reference mythology and folktales.
Tall is influenced by the writers Joseph Campbell (The Power of Myth) and Gaston Bachelard (The Poetics of Space) as well as her Masters Degree teachers Ron Fondaw and Robert Chambers, and the many workshop and residency program teachers including Jim Leedy, Rudy Autio, Richard Notkin, Akio Takemori, Ann Currier, Paul Soldner, Peter Voulkos, Lana Wilson, and Kris Nugent.
Arizona State University Art Museum, Tempe, Arizona
Brevard Art Museum, Melbourne, Florida
Burroughs-Chapin Art Museum, Myrtle Beach, South Carolina
Ceramic Research Center, University of Arizona, Tempe, Arizona
Foosaner Museum, Melbourne, Florida
Gangjin International Ceramic Museum, Gangjin, Korea
King-Size Ceramic Museum, Shanghai, China
Penn State Colleges, Pennsylvania
Palomar College, San Marcos, California
The American Art Collector, Alcove Publications, Berkeley, CA 2010.
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“Form & Imagination.” AMOCA Exhibition, Review, Ceramic Review, The Magazine of Ceramic Art and Craft 231 (May/June 2008).
Form and Imagination, exhibition catalogue. Pomona, CA: American Museum of Ceramic Art, 2007.
“Form and Imagination.” AMOCA, Pomona, CA, Ceramics Monthly
“Form and Imagination.” AMOCA, American Craft (October/November, 2007).
“Form and Imagination.” AMOCA, West Coast Peddler, September 2007.
“Form and Imagination.” AMOCA, ArtScene 27, no.1, (September 2007).
“Form and Imagination.” AMOCA, American Style (October 2007).
“Free at the Center.” Clay Times (September 2005).
“From the Dream to the Studio.” The Times Argus. (February 2, 2001).
Galloway, Julia and Ray Hemachandra, eds. 500 Vases: Contemporary Explorations of a Timeless Form. New York, NY: Lark Crafts, 2010.
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Kilnger, Christine. “Cheryl Tall.” Interview, Critical Ceramics Online Magazine, 2008.
Lark Books. 500 Handmade Dolls: Explorations of the Human Form. New York, NY: Lark Books, Sterling Publications, 2007.
________. 500 Animals in Clay: Contemporary Expressions of the Animal Form. New York, NY: Sterling Publications, 2006.
“Leucadia Artist is Sculptor of ‘Tall’ Tales.” Coast News, June 22, 2012.
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“NCECA Exhibition.” Clay Times Magazine (May 2001).
Parrish, Matthew. “Arrested Motion One Place in Many.” Williamsport, PA: Williamsportart Blogspot, July 29, 2009.
“Personal Mythology: The Artwork of Cheryl Tall.” Fine Art Ceramics (2003).
Peters, Lynn. Surface Decoration for Low-Fire Ceramics. Asheville, NC: Lark Books, 1999.
“Politics and Clay.” Studio Potter Magazine (June 2001).
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Softic, Tanja. “Valencia Exhibit Illustrates the Artistry in Craft-Making.” Orlando Sentinel-Star, August 1, 1993.
Stroppel, Alice. "The Archetypal Sculptures of Cheryl Tall.” The Figurative Artbeat, thefigurativeartbeat.com. 2009.
“Artists of South Florida.” Studio Potter Magazine (June 1998).
Tall,Cheryl. Winged Manor. Camp Hill, PA: Sunbury Press, 2011
“The White Queen at San Diego Botanic Garden.´veniceclayartists.com. January, 10, 2013.
Turner, Anderson, ed. Throwing and Handbuilding. Columbus, OH: American Ceramic Society Press, 2008.
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Herald, October 3, 1990.
Wilson, Lana. “Cheryl Tall’s Techniques.” Clay Times Magazine, September 2002.
Yuskos, Norma.“Cheryl Tall: Building Large Scale Work in Sections.” Pottery Making Illustrated (November 2004).
CV or Resume: Click Here to Download
Artist's Studio: Cheryl Tall Art Studio
Painted on with black underglaze on bottom of piece or incised with a sharp tool on bottom of piece.
Citation: "The Marks Project." Last modified January 29, 2018. http://www.themarksproject.org:443/marks/tall