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1935Born Canton, Ohio
EDUCATION
1957BFA Carnegie Mellon University, Pittsburgh, Pennsylvania
1960MFA Cranbrook Academy of Art, Bloomfield Hills, Michigan
PRIMARY WORK EXPERIENCE
1963-1991Professor of Art, Eastern Michigan University, Ypsilanti, Michigan
1960University of Michigan, Ann Arbor, Michigan
BIOGRAPHY
Susanne Stephenson is known for functional forms that carry Abstract Expressioist surface decoration.
Stephenson's ceramics typically begin as a functional vessel form made of Woodman low-fire terracotta. She shapes the clay using a combination of techniques including throwing, coiling,, and slab building. Once the vessels are leatherhard or bisque fired she uses thick colored slips, engobes and applied clay crumbs to create an impasto, painterly effect. Inspired by nature, especially water, Stephenson's Abstract Expressionist surface decoration often evokes a landscape. She occasionally uses scraffito carving to finish her works, revealing colors beneath the top surface and increasing the sense of movement inherent in her works.
PUBLIC COLLECTIONS
Ariana Musee, Geneva, Switzerland
Arizona State University Museum of Art, Tempe, Arizona
Benaki Museum, Athens, Greece
Carnegie Museum of Art, Pittsburgh, Pennsylvania
Choson Royal Kiln Museum, Kwangiu, Korea
Cranbrook Museum of Art, Bloomfield, Michigan
Crocker Art Museum, Sacramento, California
Detroit Institute of Arts, Detroit, Michigan
Downey Museum of Art, Downey, California
Everson Museum of Art, Syracuse, New York
Foshan/Nanfeng Museum and San Bao Collection, Fuping, China
Gardiner Museum of Ceramic Art, Toronto, Canada
Grand Valley State University, Grand Rapids, Michigan
International Ceramic Center, Denmark
Loket Porcelain Museum, Loket, Czech Republic
Los Angeles County Museum of Art (LACMA), Los Angeles, Californ
Mint Museum, Charlotte, North Carolina
Musee National de Céramique de Sevres, France
Museum of Arts and Design, New York, New York
Museum of Decorative Arts, Prague, Czech Republic
BIBLIOGRAPHY
Brown, Glen. “Exploiting Paradox.” Ceramics: Art & Perception 35 (1999).
Burns, Sean. "A National Clay Invitational.” Spectrum, October 1985.
Fraganza, Trixie. "Studio Potters Reviewed.” NCECA Journal, 1985.
Hluch, Kevin. The Art of Contemporary American Pottery. Ashville, NC: Lark Books, 2001.
Hopper, Robin. The Ceramic Spectrum: A Simplified Approach to Glaze and Color Development. Iola, WI: Krause Publications, 2001.
Kendall, Gail. “Developing Surfaces with Slip, Scrafitto and Glaze.” Pottery Making Illustrated, Summer 2004.
Ostermann, Mathias. The Ceramic Surface. New York, NY: Holt Reinhardt, 2004.
Stephenson, Susanne G. "Color and Form: Landscape, Uncovering the Painted Gesture." Studio Potter, December 1999.
_____________________. "Perception." Studio Potter, December 1988.
CV or RESUME: Click Here to Download
Source: stephensonceramics.com
WEBSITE(S):
Artist's Studio: Stephenson Ceramics
Citation: "The Marks Project." Last modified July 21, 2023. http://www.themarksproject.org/marks/stephenson