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EDUCATION
1980 BFA Colorado University, Boulder, Colorado
1985 MFA School for American Craftsmen, Rochester Institute of Technology, Rochester, New York
APPRENTICESHIPS AND RESIDENCIES
1984 Apprentice, Moravian Pottery and Tile Works, Doylestown, Pennsylvania
1990, 1993 Arts/Industry Residency Program, John Michael Kohler Arts Center, Sheboygan, Wisconsin
1985-1986, 2012Artist-in-Residence, Archie Bray Foundation, Helena, Montana
1986,1992, 1993, 2006, 2009 Watershed Center for the Ceramic Arts, Newcastle, Maine
PRIMARY WORK EXPERIENCE
1989 Visiting Lecturer, Ohio State University, Columbus, Ohio
1991 Lecturer, University of Colorado, Boulder, Colorado
2001—Professor of Art, School of Visual Arts, Pennsylvania State University, University Park, Pennsylvania
Liz Quackenbush’s forms are hand built or made using drape or press molds. Each earthenware piece is decorated using a Majolica glaze technique with the addition of gold luster.
She is inspired by Persian, Spanish, Portuguese, Italian, French, and English folk pottery traditions dating between 1200-1700CE. Her surface patterns combine these classic sources with motifs from the natural environment, for instance, reptile skins and frogs.
Quackenbush’s ceramics manage to bridge the gap between elegant china and functional pottery. She leaves the surfaces irregular referencing pottery made for use and that had been used. She then paints elaborate motifs in both underglaze cobalt blue and over glaze enameled decoration finished with gold luster suggestive of fine china. Her work combines the elaborately structured patterns of Middle Eastern and Asian pottery with the more casual softness of blue and white English china.
PUBLIC COLLECTIONS
Aberystwyth Arts Center, University of Wales, Aberystwyth, Wales
Arizona State University Art Museum, Tempe, Arizona
George R. Gardiner Museum, Toronto, Canada
Huntington Museum of Art, Huntington, West Virginia
Islip Art Museum, Islip, New York
John Michael Kohler Arts Center, Sheboygan, Wisconsin
NCECA Permanent Collection, NCECA Headquarters; Denver, Colorado
Schein-Joseph International Museum of Ceramic Art, Alfred University, Alfred, New York
Tullie House Museum, Carlisle, England
BIBLIOGRAPHY
Brown Glen R. “Liz Quackenbush-Beyond Hierarchy”. Ceramics Monthly, (January 2014).
Eden, Victoria and Michael. Slipware: Contemporary Approaches. London, England: A & C Black, 2001.
“Exposure: Exquisite Pots 2.” Ceramics Monthly, (October 2013).
Hluch, Kevin A. The Art of Contemporary American Pottery. Iola, WI: Krause Publications, 2001.
Lark Books. The Penland Book of Ceramics. Asheville, NC: Lark Books, 2003.
________________. The Best of 500 Ceramics: Celebrating A Decade in Clay. New York, NY: Lark Books, 2012
Ostermann, Mathias. The Ceramic Surface. Philadelphia, PA: University of Pennsylvania Press, 2002.
________________. The New Maiolica: Contemporary Approaches to Colour and Technique. London, England: A & C Black, 2001.
Pegrum, Brenda. Painted Ceramics: Colour and Imagery on Clay. Wiltshire, England: The Crowood Press, 2001.
Peterson, Susan. Contemporary Ceramics. New York, NY: Watson-Guptill, 2000.
Quackenbush, Liz. “As a Potter.” Studio Potter Journal 37, no. 1 (Winter 2009).
Zakin, Richard. Hand Formed Ceramics: Creating Form and Surface. West Chester, PA: Chilton Book Company, 1996.
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Citation: "The Marks Project." Last modified April 6, 2023. http://www.themarksproject.org/marks/quackenbush