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EDUCATION
2001 BA Carleton College, Northfield, Minnesota
APPRENTICESHIPS AND RESIDENCIES
2003-2004 Apprenticeship at Whitefish Pottery, Whitefish, Montana
2009-2011 Fogelberg Fellow, Northern Clay Center, Minneapolis, Minnesota
2011-2012 Anonymous Potter Studio Fellow, Northern Clay Center, Minneapolis, Minnesota
PRIMARY WORK EXPERIENCE
2001—Studio Potter
BIOGRAPHY
Kip O’Krongly uses earthenware to produce a full line of functional ceramics. The surfaces of the pieces are highly decorated using a number of techniques including, sgraffito, die cut stencils and decals of her own design. She also uses slips and underglazes to create the imagery, then finishes the piece with overglaze.
The Exxon Valdez disaster occurred when she was a child and has had a lifelong effect on her. The relation between food and energy and the links between man and nature inspires and drives the imagery that appears on her work. O’Krongly uses images drawn from the petroleum and agricultural industry to drive home her message of concern for health of the planet.
PUBLIC COLLECTIONS
Bemidji State University, Margaret Harlow Collection, Bemidji, Minnesota
BIBLIOGRAPHY
Burnett, Jason Bige. Graphic Clay: Ceramic Surfaces & Printed Image Transfer Techniques. New York, NY: Lark Books, 2014.
Hluch, Kevin A. The Art of Contemporary American Pottery. IBook, 2013.
Lawton, Jim. 500 Teapots, volume 2. Asheville, NC: Lark Crafts, 2013.
O’Krongly, Kip. “Layer by Layer.” Pottery Making Illustrated, (May/June 2012).
Peltzman, Doug. “Objective Clay”, Ceramics Monthly (June/July/August 2013).
Scott, Paul. Ceramics and Print. 3rd edition Philadelphia, PA: University of Pennsylvania Press, 2012.
Silberman, Robert. “Minnesota Ceramic Artists Exhibition.” Ceramics Monthly (2010).
Wandless, Paul Andrew. 500 Prints on Clay: An Inspiring Collection of Image Transfer Work. New York, NY: Lark Books, 2013.
CV or RESUME: Click Here to Download
Source: Artist
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Citation: "The Marks Project." Last modified April 10, 2023. http://www.themarksproject.org/marks/okrongly