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1930Born, New Bremen, Ohio
2023 Died, Oakland, California
EDUCATION
1952AB Art History, Princeton University, Princeton, New Jersey
1957MFA Painting, University of Chicago, Chicago, Illinois
1961MA Ceramics, University of California at Berkeley (UC Berkeley), Berkeley, California
APPRENTICESHIPS AND RESIDENCIES
1990Resident Artist, Arts/Industry Residency Program, Kohler Company, Sheboygan, Wisconsin
PRIMARY WORK EXPERIENCE
1952-1956Tohoku Gakuin Schools, Sendai, Japan
1957-1959Art Professor, Carthage College, Carthage, Illinois (now Kenosha, Wisconsin)
1961-1965San Francisco Art Institute, San Francisco, California
1964-1994Faculty, UC Berkeley
1977-1981Director, Visual Arts Program, National Endowment for the Arts
1984-1988Director, American Academy, Rome, Italy
BIOGRAPHY
James Melchert is primarily known for bright colored sculptures that reveal his ties to Conceptual Art, as well as for his later works using factory produced ceramic tiles, in some cases broken, drawn on, reassembled, and painted with glazes.
As a student of Peter Voulkos at Berkeley in the early 1960s he was part of the beginnings of the California Clay Movement. Melchert employed various techniques as needed to produce his work. In 1962 Melchert and Ron Nagle formulated a white earthenware (whiteware) clay which, unlike traditional earthenware, did not dull colors but intensified them. This whiteware advance was immediately adopted by Robert Arneson and others.
In the early 1990s Melchert completed a 225 foot long by 12 foot high tile wall installation at the Massachusetts Institute of Technology biology building. Melchert made the tiles while an artist-in-residence at the Tile Guild Inc. in Los Angeles. The Tile Guild's Artist Residency program allows artists to produce large tile works using a kiln with a capacity of 750 square feet of tile per day.
First introduced to clay when, as an art professor at Carthage College, he was required to teach a class in clay, Melchert enrolled in a summer program at the University of Montana given by Peter Voulkus. He went on to do his MA in Ceramics at UC Berkeley with Voulkus. Melchert taught in the San Francisco Bay area, first ceramics at the San Francisco Art Institute and then sculpture at UC Berkeley.
Melchert’s work was exhibited in the 1967 “Funk” ceramics exhibition at the UC Berkeley.
In addition to clay, Melchert has worked in a variety of media, including photography, film, and works on paper.
An interview with James Melchert with Constance Lewallen in The Brooklyn Rail can be accessed here: https://brooklynrail.org/2020/12/art/JIM-MELCHERT-with-Constance-Lewallen
An interview with James Melchert conducted September 17 and 18, 2002 by Renny Pritikin for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America is available at:
http://www.aaa.si.edu/collections/interviews/oral-history-interview-james-melchert-11926.
PUBLIC COLLECTIONS
Addison Gallery of American Art, Andover, Massachusetts
Baltimore Art Museum, Baltimore, Maryland
Des Moines Art Center, Des Moines, Iowa
Icheon World Ceramic Center, Suwon, Gyeonggi-do, South Korea
Los Angeles County Museum of Art (LACMA), Los Angeles, California
Massachusetts Institute of Technology, Cambridge, Massachusetts
Museum of Arts and Design, New York, New York
Museum of Contemporary Art, San Diego, California
National Museum of Modern Art, Kyoto, Japan
Nelson-Atkins Museum of Art, Kansas City, Missouri
Oakland Museum of California, Oakland, California
Racine Art Museum, Racine, Wisconsin
Rhode Island School of Design Museum of Art, Providence, Rhode Island
Rose Museum, Brandeis University, Waltham, Massachusetts
San Francisco Museum of Modern Art, San Francisco, California
Ruth Chandler Williamson Gallery, Scripps College, Claremont, California
Smithsonian American Art Museum, Renwick Gallery, Washington D.C.
Stedelijk Museum, Amsterdam, Netherlands
University of New Mexico, Albuquerque, New Mexico
BIBLIOGRAPHY
Falino, Jeannine, ed. Crafting Modernism: Midcentury American Art and Design. New York, NY: Abrams, 2011.
Koplos, Janet, and Bruce Metcalf. Makers: A History of American Studio Craft. Chapel Hill, NC: The University of North Carolina Press, 2010.
Melchert, Jim. "Intellctual Space: Coming to Light: A Mural At MIT. Studio Potter Journal, Vol. 23., no. 1 (June 1995). https://studiopotter.org/digital-issue/145
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Source: Artist
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Citation: "The Marks Project." Last modified July 23, 2023. http://www.themarksproject.org/marks/melchert