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—Born, Tennessee
EDUCATION
2001BFA The University of Tennessee at Martin, Martin, Tennessee
2012Post Baccalaureate, Ceramics, Indiana University Bloomington, Bloomington, Indiana
2016MFA Ceramics, The University of Kansas, Lawrence, Kansas
APPRENTICESHIPS & RESIDENCIES
2015Summer Artist in Residence, Zhenrutang, Jingdezhen, China
2016Artist in Residence, Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee
2017-2019Long-Term Resident, Archie Bray Foundation for the Ceramic Arts, Helena, Montana
PRIMARY WORK EXPERIENCE
2012—Studio Artist
BIOGRAPHY
Richard W. James in known for figurative mixed media sculpture. Works revolve around the bust or the full figure in various scales. Sculptures are most often developed using earthenware in combination with textile, metal or wood and frequently found elements. Ceramic surface treatment features underglaze application. After firing, various cold working surface techniques are used. The majority of James' figures are completed with carefully positioned found and modified objects.
The artist often uses himself as subject matter. The content for most works is a nuanced self-examination. James is ultimately interested in the factors that helped shape him including rural upbringing and culture, self-sufficiency, and the craftsman. His work is narrative and focuses on the portrait bust, the individual figure and the tableau.
James has this to say about his work, “I have always struggled to navigate between pride in my rural heritage and the need to distance myself from it. To better understand the "soup" in which I was stewed, I incorporate materials and processes associated with rural poverty. Mending clothes and constructing dwellings represent the feminine and masculine aspects of my upbringing, while clay stands for me. Inconsistencies between how we see ourselves and how we would like others to see us can lead to different versions of truth and history.”[1]
[1] https://www.sculpture.org/studentawards/2016/recipients/james.shtml (10/30/2018)
BIBLIOGRAPHY
Publications, Authored
(upcoming) James, R.W. (2019) Crating Large Sculptures, Ceramics Monthly, January
James, R.W. (2017) The Work of Russell Wrankle, Ceramics: Art and Perception. #105, pp. 4-9.
James, R.W. (2017). The Unifying Language of Clay in a Complicated World, Ceramics:
Technical, #105, pp. 58-61
James, R.W. (2015). He Said, She Said. Ceramics: Art and Perception, June.
James, R.W. (2013). Low firing with wood. Ceramics Monthly. June/July/August, pp. 58–62.
Publications, Featured
Arbogast, E. (2018). Emerging Artist, Ceramics Monthly. May, p. 39
Arbogast, E. (2018). Exposure, Ceramics Monthly. January, p. 18.
Hutchison, J. (2016). The International Sculpture Center 2016 Outstanding Student Achievement
in Contemporary Sculpture Awards, Sculpture. October, p. 52.
Knapp, J. (2017). Exposure, Ceramics Monthly. March, p. 20.
Melnick, D. “Pots and Protons, Richard James Ceramics.” The Ryder Arts Magazine, (May 2014).
Ramos, O. (2017). Conversation with Richard W. James, Work Untitled. 2017 Q3.
Salamoni, A. (2014). Wood-fired Ceramics: 100 Contemporary Artists, Schiffer Publishing:
Atglen, Pennsylvania.
Smith, A. (2017) The Unsettling Ceramic Sculptures of Richard W. James. Hi-Fructose Art
Magazine, (http://hifructose.com/2017/06/20/the-unsettling-ceramic-sculptures-of-richard-w-james/)
WEBSITE(S):
Citation: Kuratnick, Jeffrey. "The Marks Project." Last modified May 20, 2023. http://www.themarksproject.org/marks/james