The Dictionary of American Studio Ceramics, 1946 Onward
The Dictionary of American Studio Ceramics, 1946 Onward
Printer Friendly Version
1970 Born, Kansas City, Missouri
EDUCATION
1994 BFA Sculpture, Webster University, Saint Louis, Missouri
2003 MFA Studio Art Ceramics Emphasis, University of Mississippi, Oxford, Mississippi
APPRENTICESHIPS AND RESIDENCIES
2012 Artist in Residence, Guldagergaard International Ceramic Residency Center, Skaelskor, Denmark
2013 Artist in Residence, Skopelos Foundation for the Arts, Skopelos, Greece
2014 Ceramic Surface Forum Invitational, Arrowmont School of Crafts, Gatlinburg, Tennessee
2015 Jentel Critic, Archie Bray Foundation for the Ceramic Arts, Helena, Montana in partnership with Jentel Foundation, Banner, Wyoming
PRIMARY WORK EXPERIENCE
2004–2010 Instructor, Department Coordinator, Gallery Director, East Central College, Union, Missouri
2010–2014 Curator of Exhibitions, Red Lodge Clay Center, Red Lodge, Montana
2015— Studio Artist, Community Arts Educator, Whistlepig Studio
2016— Head of Education & Artist Services, Northern Clay Center, Minneapolis, Minnesota
2020 Editor, The Studio Potter
BIOGRAPHY
Jill Foote-Hutton is known for ceramic sculpture and vessels that are dominated by painted underglaze imagery. Monsters take on various personas in her work; including bison and other creatures. Foote–Hutton’s work also features block printed texts which – much like the monsters – help bring her work to life.
Foote-Hutton’s personal creations and field-activities oftentimes go hand-in-hand. Since 2010, she has been engaged in a series entitled Communal Narratives. In which the artist and audience collaborate to create works revolving around the concepts of mythology, story and empowerment. The artist uses monsters as avatars to recreate personal stories. Foote – Hutton states that the concept of monster is rich in literary history: allowing her audience to create contemporary mythology from personal narrative that she hopes will empower the individual. The finished ceramic works (among other media) take form as both personal creations and collaborations with communities respectively. In 2015 Foote-Hutton established the Whistlepig Studio.
Curatorial endeavors, community collaborations and service to the clay community round out her artistic practice.
On June 17th, 2013 Ben Carter interviewed the artist for Tales of a Red Clay Rambler. Excerpts from the podcast entitled Jill Foote–Hutton on Art as a Catalyst for Social Engagement can be found here: http://www.talesofaredclayrambler.com/episodes/2013/06/jill-foote-hutton-on-tales-of-red-clay.html
Public Collections
Gulf Coast State College, Panama City, Florida
Kolva-Sullivan Collection, Washington State University, Pullman, Washington
Skopelos Foundation for the Arts Collection, Skopelos, Greece
Bibliography
Arbuckle, Linda, editor. 500 Plates, Platters & Chargers]. New York, NY: Lark Crafts, 2008.
“Artists in the Grassland.” The Missourian, 2009.
Blount, Akira, editor. 500 Handmade Dolls: Modern Expressions of the Human Form. New York, NY: Lark Crafts, 2008.
Crissman, Henry James Haver. “Considering Social Practice in Contemporary Ceramics.” NCECA Journal (2014).
Foote–Hutton, Jill. “A Community Gathers.” Ceramics Monthly (May 2004).
______________. “Community Revisited.” Studio Potter Magazine (February 2015).
Hanus, Julie. “Top 10 NCECA Moments.” American Craft Magazine (April 2013), http://craftcouncil.org/post/top-ten-nceca-conference-moments
Martin, Brigitte. Humor in Craft. Atglen, PA: Schiffer Publishing, Ltd., 2012.
Website(s):
Artist's Studio: WhistlePig Studio
Citation: "The Marks Project." Last modified June 8, 2023. http://www.themarksproject.org:443/marks/foote-hutton