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EDUCATION
1968-1975 Zoology, Miami University, Oxford, Ohio
1981 BFA Ceramics, Cleveland Institute of Art, Cleveland, Ohio
1983 MFA Ceramics, Rhode Island School of Design, Providence, Rhode Island
APPRENTICESHIPS AND RESIDENCIES
1991 Artist in Residence, Watershed Center for the Ceramic Arts, Edgecomb, Maine
2001 Artist in Residence, Archie Bray Foundation, Helena, Montana
PRIMARY WORK EXPERIENCE
1985-1990 Assistant Professor and Instructor, Louisiana State University, Baton Rouge, Louisiana
1992—Tenured Professor, Ceramics, School of Art and Art History, University of Florida, Gainesville, Florida
BIOGRAPHY
Linda Arbuckle is well known for brightly colored majolica glazed functional ceramics. She uses terra cotta clay fired in an electric kiln. Her process involves the use of underglaze slips that are covered with wax resist before the background glaze color is applied. Arbuckle’s pieces are decorated with floral motifs often outlined with thin black lines.
PUBLIC COLLECTIONS
Archie Bray Foundation for the Ceramic Arts, Helen, Montana
Arrowmont School of Arts & Crafts, Gatlinburg, Tennessee
Detroit Institute of Arts, Detroit, Michigan
Jingdezhen Ceramic Museum, Jingdezhen, People’s Republic of China
Lamar Dodd Art Center, LaGrange College, LaGrange, Georgia
Margaret Harlow Collection, Bemidji University, Bemidji, Minnesota
Museum of Decorative Arts, Arkansas Art Center, Little Rock, Arkansas
Northern Clay Center, Minneapolis, Minnesota
Racine Art Museum, Racine, Wisconsin
rosenfieldcollection.com
Stetson University, Deland, Florida
Weisman Museum of Art, Minneapolis, Minnesota
World Ceramics Exposition Korea International Collection, Inchon, Korea
BIBLIOGRAPHY
Adamson, Glenn and Davira Tragin. Tea Anyone?; the Donna Moog Teapot Collection. Racine, WI: Racine Art Museum, 2003.
Adcock, Craig. “Linda Arbuckle, Clary Illian, Doug Hanson, and Chuck Hindes.” Ceramic Art and Perception, no. 83 (March-May 2011).
Arbuckle, Linda. “The Colorful World of Majolica.” Ceramics Monthly 59, no.6 (June-August 2011).
___________. “Answers From the CM Technical Staff.” Ceramics Monthly 54, no.3 (March 2006).
___________. “Learning to Use Color.” Studio Potter 35, no.1 (2006).
___________, guest editor. “Majolica Feature.” Studio Potter 24, no.2.
Brown, Glen. “Private Gestures.” Ceramic review the International Magazine of Ceramic Art and Craft, no.203 (September/October 2003).
Campbell, Joe. “Why Go to Workshops.” Clay Times 3, no.5 (September/October 1997).
Hall, Sherman. “Utilitarian Clay IV: Celebrate the Object.” Ceramics Monthly 52, no10 (December 2004).
Hopper, Robin. Making Marks: Discovering the Ceramic Surface. Iola, WI: Krause Publications, 2004.
__________. Functional Pottery: Form and Aesthetic in Pots of Purpose, Second Edition. WI: Krause Publications, 1999.
Hluch, Kevin. The Art of Contemporary American Pottery. Iola, WI: Krause Publications, 2001.
Lawton, Jim. 500 Teapots, v.2. Asheville, NC: Lark Books, 2013
Ostermann, Matthias. Masters: Earthenware: Major Works by Leading Artists. Asheville, NC: Lark Books, 2010.
________________. Ceramic Surface Decoration: Contemporary Approaches and Techniques. Philadelphia, PA: University of Pennsylvania Press, 2002.
________________. The New Majolica; Contemporary Approaches to Color and Technique in Tin Glaze. London, England: A & C Black, 1999.
Phethean, Richard. Throwing (New Ceramics). London, England: A & C Black, 2012.
Ponzo, Angelica, Ceramics for Beginners: Surfaces, Glazes and Firing. Asheville, NC: Lark Books, 2010.
Strawler, Janice. “Full Circle: Majolica Decorating Technilquest.” Pottery Making Illustrated 15, no.6 (November/December 2012).
Taylor, Brian and Kate Doody. Glaze: the Ultimate Collection of Ceramic Glazes, and How They Were Made. London, England: Quarto Publishing, 2014.
Zakin, Richard. Electric Kiln Ceramics. Iola, WI: Krause Publications, 2004.
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Citation: "The Marks Project." Last modified July 3, 2023. http://www.themarksproject.org/marks/arbuckle