The Marks Project - A Marks Dictionary of American Studio Pottery, 1946 to Present

Diana Gillispie

EDUCATION

1978 BFA Ceramics, Kansas City Art Institute, Kansas City, Missouri

1985 MFA Sculpture, Rhode Island School of Design, Providence, Rhode Island

PRIMARY WORK EXPERIENCE

1978-1983 Studio, North Carolina

—Odyssey Center of the Ceramic Arts, Asheville, North Carolina

—John C. Campbell Folk School, Brasstown, North Carolina

—Roger Williams College, Bristol, Rhode Island

—Rhode Island School of Design, Providence, Rhode Island

—Haywood Community College, Clyde, North Carolina

1998—Owner, Tile works and Pottery, Asheville, North Carolina

BIOGRAPHY

Diana Gillispie produced what she calls, “crazy earthenware non-functional pots” using a majolica decorative technique for a period after graduating from Rhode Island School of Design. She is also known for a variety of approaches to tile production.  Initially working with porcelain to reproduce Arts and Crafts inspired tile before moving on to develop her own tile designs. In 1996 production glazed tiles became a primary income source.

Gillespie used her interest in woodblock prints to develop a line of art relief tiles. The prototype tile is hand carved from which a plaster mold is created. Subsequent tiles are press-molded using the mold.

Public Collections

American Museum of Ceramic Art, Pomona, California

 

 

 

Center for CraftSouthern Highland Craft Guild

 

Typical Marks
ca 1981
Teapot
Date: ca 1981
Materials: Porcelain
Method: Thrown
Surface Technique: Glaze, Slip Trailing
American Museum of Ceramic Art, gift of The American Ceramic Society, 2004.2.1.ab
Photo: TMP
American Museum of Ceramic Art, gift of The American Ceramic Society, 2004.2.1.ab
Photo: TMP
Photo: TMP

Citation: "The Marks Project." Last modified September 8, 2025. http://www.themarksproject.org:443/print/marks/gillispie

Tags

Southern Highland Craft Guild, Center for Craft , American Ceramic Society, press-molded , majolica, porcelain, CfC, ACerS, American Museum of Ceramic Art, AMOCA

 

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