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EDUCATION
1972 BFA Kansas City Art Institute, Kansas City, Missouri
1974 MAT Rhode Island School of Design, Providence, Rhode Island
APPRENTICESHIPS & RESIDENCIES
1984 Artist in Residence, Archie Bray Foundation for the Ceramic Arts, Helena, Montana
2002 International Ceramics Symposium, Dokuz Eylul University, Izmir, Turkey
PRIMARY WORK EXPERIENCE
2004 – Instructor, Hollins University, Roanoke, Virginia
2007-2016 Instructor, Summer Term, La Meridiana School of Ceramics, Certaldo, Italy
BIOGRAPHY
Donna Polseno is known for mid-range electric fired figurative sculpture and pottery. Figurative sculptures are hand built using an iron rich terracotta. Polsano's pottery is slip cast, altered and reassembled. Glazing practices include satin matte hues with stylized decorative motifs of flowers, leaves, birds or simple line work in designed combinations. Polsano uses a system of wax resists and liquid latex to build layers of glazes and decorative motifs.
About her pottery, Polsano states, “I have made many different types of pottery over my career but have always been interested in the way decorative elements can be used to enhance a form, whether one is using an elaborate pattern or the simplest marks.” 1
Polseno’s figurative sculptures are often constructed as singular stylized narrative female forms which have a sense of mass. Often the gesture of vessel in hand is used. Female figures often feature unglazed earth red clay as a prominent surface treatment, with glaze as an isolated decorative element. Also part of Polsano’s sculptural work is the careful assembly of her vessel related forms on a ceramic plinth. About her work Polseno states, “My interest is in portraying the essence of a woman; her capacity symbolically and in the flesh, to give life, to nurture, and exhibit both vulnerability, beauty and strength.” 2
In addition to her personal creations, Polseno has been instrumental in developing the annual Women Working with Clay Symposium at Hollins University in Roanoke, Virginia, serving as the director for many years. A link to the symposium can be accessed here: https://www.hollins.edu/academics/workshops-online-writing-courses/women-working-with-clay-symposium/.
1 http://www.donnapolseno.com/statement.htm-Cited February 5, 2019, 5:00PM.
2 Ibid.
PUBLIC COLLECTIONS
American Museum of Ceramic Art, Pomona, California
Kansas City Art Institute, Kansas City, Missouri
Mint Museum, Charlotte, North Carolina
Roanoke College, Roanoke, Virginia
Rosenfield Collection
St. Louis Museum of Art, St, Louis, Missouri
Taubman Museum of Art, Roanoke, Virginia
BIBLIOGRAPHY
Fariello, Anna. “The Container as Metaphor: Figurative Works by Donna Polseno.” Ceramics Art and Perception 37 (Fall 1999).
Higby, Wayne. “Potter’s Space & the Earthbound Goddess.” Ceramics Art and Perception .66
Hluch, Kevin. “Pots with a View: The Work of Richard Hensley and Donna Polseno.” Ceramics Monthly (March 2005).
_____________. The Art of American Contemporary Pottery. Iola, WI: Krause Publications, 2001.
Hunt, Bill. 21st Century Ceramics in the United States & Canada. Westerville, OH: American Ceramics Society, 2003.
Polseno, Donna. “Accepting Change.” Ceramics Monthly Vol. 28, no. 3 (March 1990).
________________ A Different Language.” Studio Potter 42, no.1 (2013).
________________ “Following a Thread: Matte Glazes at Mid Range.” Ceramics Monthly (November 2015).
WEBSITE(S):
Center For Craft |
AMOCA American Museum of Ceramic Art |
Citation: Kuratnick, Jeffrey . "The Marks Project." Last modified April 7, 2023. http://www.themarksproject.org/marks/polseno